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MedalObverse: Equestrian Portrait of Emperor Constantine (r. 307–337)Reverse: Allegory of Salvation – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/469911

Inscription: (obverse legend): + CONSTANTIVS / . IN XPO [should be CHRISTO] . DEO . FIDELIS . IMPERAT / OR . ET . MODERATOR / ROMANORVM . ET. SEMPER . AVGVSTVS (Constantine, faithful in Christ [and] in God, emperor and master of the Romans and forever Augustus)(obverse exergue): z34 (234) (reverse legend): : + MIHI : ABSIT : GLORIARI :
New York: The Metropolitan Museum of Art, 1999. no. 204, p. 168.

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Francesco Francia – Saint Roch – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436332

This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
sculture et altre cose notabili . . . . 1603, c. 20 [Biblioteca Comunale, Bologna, Ms B

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Woman Dispensing Poison from the Legend of Saint Germain of Paris – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471988

From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris; [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
New York: The Metropolitan Museum of Art, 1975. p. 18.

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Saint Servatius Crushing a Dragon, with Saint Michael Weighing Souls below (from a series with The Virgin Mary and Five Standing Saints) – German – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/474426

From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pfalz (Rhein-Hunsrück-Kreis), near Koblenz, Germany.; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875–sold 1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, no
Vitraux 7, p. 124, ill. in text.

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