Benvenuto di Giovanni – Madonna and Child – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/458994
London, 1909, p. 118. Duveen Brothers.
London, 1909, p. 118. Duveen Brothers.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Metropolitan Museum of Art Bulletin, v. 25, no. 8 (April, 1967) Biddle, James, Stuart P.
Stand for a Qur’an Manuscript (Rahla) A masterpiece of design, this carved book stand, or rahla, is made from a single slab of teak and is framed by inlays composed of various woods in shades of brown and black
London: Peeter Davies, Ltd. by the Shenval Press, 1930. p. 190, ill. fig. 95 (b/w
Antiquities: An Exhibition from the Collection of Walter Cummings Baker, Esq. no. 101A, p.
Antiquities: An Exhibition from the Collection of Walter Cummings Baker, Esq. no. 101A, p.
PanelIn their time, the royal quarters at Madinat al-Zahra, the caliphal court in al-Andalus, must have been a spectacular sight, with lavish architectural decoration; luxuriant curtains, textiles, and furnishings; and sumptuous objects
(b/w). Kühnel, Ernst, and J. & S. Goldschmidt.
B[ryson]. B[urroughs]. "A Fifteeth-Century Italian Panel."
The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
P. Dutton & Co., 1970. no. 157, p. 180, ill. (b/w). Swietochowski, Marie.
Jacomo Rossi in Roma alla Pace co P. del S. P.‘; ‚Gio. Batta Falda di. et. f.
Jacomo Rossi in Roma alla Pace co P. del S. P.‘; ‚Gio. Batta Falda di. et. f.
Attic Black-figure Vase-painters. p. 149, Oxford: Clarendon Press.Beazley, John D
Attic Black-figure Vase-painters. p. 149, Oxford: Clarendon Press.
Corpus Vasorum Antiquorum, USA 1, Hoppin and Gallatin Collections. p. 108, Gallatin
Corpus Vasorum Antiquorum, USA 1, Hoppin and Gallatin Collections. p. 108, Gallatin