Jama-Coaque artist – Standing figure – Jama-Coaque – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/314183
17.1 × 8.9 cm) Classification: Ceramics-Sculpture Credit Line: Gift of Margaret B.
17.1 × 8.9 cm) Classification: Ceramics-Sculpture Credit Line: Gift of Margaret B.
Classification: Textiles-Woven-Brocade Credit Line: Gift of Inger G. and William B.
Classification: Ceramics-Porcelain Credit Line: The Hans Syz Collection, Gift of Stephan B.
Inscription: Inscribed in Greek: [On lid] Here is your son…Here is your Mother (on either side of Christ’s head); Jesus; Mother of God; John; [on lid moving clockwise from upper left] Saint Demetrios; Saint Eustathios; Saint Lawrence; Luke; Mark; Thomas; James; Saint Damianos; Saint Kosmas; Saint Gregory the Miracle-Worker; Bartholomew; Matthew; Jude; Simon; [on side moving clockwise from upper left] Saint Anastasios; Saint Nicholas; Saint Platon; Saint Theodore; Saint Prokopios; Saint George; Saint Merkourios; Saint Eustratios; Saint Panteleimon; Saint Andrew; Saint John; Saint Paul; Saint Peter; [inside lid] Hail, full of grace!; The Nativity; Here is your son
Interior Interior Ivory casket and enamel reliquary (17.190.238, 17.190.715a, b)
Parthian art resists a straightforward definition, as it employs styles and motifs from both Hellenistic and earlier Near Eastern traditions that result in innovations in various media.
A stone lintel ( 32.145a,b) features a symmetrical composition with two hybrid winged
B. Lippincott, 1925. pp. 17–21, 24–25, 234–235, pls. III-a, b.
Shepard, Mary B. Europe in the Middle Ages, edited by Charles T.
1957) Date: fall/winter 1989–90 Culture: French Medium: (a) leather, metal, (b)
The invention of glassblowing led to an enormous increase in the range of shapes and designs that glassworkers could produce, and the mold-blowing process soon developed as an offshoot of free-blowing.
, The Metropolitan Museum of Art October 2003 Further Reading Harden, Donald B.
Gold NecklaceThe striking way in which this piece, with its circular stone-set gold elements surrounded by small pearls, is stylistically reminiscent of the miniature of the zenana (harem) scene in the Met (30
B., and Tushingham, A. D. Crown Jewels of Iran.