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[2] Robert B.

Vanitas (“Finis Coronat Opusâ€�), 1626, engraving, Rijksmuseum, Amsterdam RP-P–

Here is Dutch artist Judith Leyster at her easel, taking a break from painting to engage with us. In what might be considered an early selfie, she leans her forearm on the chair and suspends her paintbrush in midair, as if she’ll turn back to the canvas in a moment.
Weller, Dennis P. Like Father, Like Son? Portraits by Frans Hals and Jan Hals.

The artist’s wife Camille stands on a hill with their son Jean behind her. Monet worked quickly to record this moment.
Associated Names Paul P. Rosenberg & Co. Bellio, Georges de, Dr.

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
and April 1931, as a painting by Rembrandt, through (Matthiesen Gallery, Berlin; P.

Willem Kalf, baptized in Rotterdam on November 3, 1619, was one of the foremost still-life painters of the seventeenth century. His father, Jan Jansz Calff (Kalf), was a well-to-do textile merchant and town council member who died in 1625.
Edited by William B. Jordan. Translated by P.M. van Tongeren. Exh. cat.

Documents indicate that Willem Claesz Heda was born in Haarlem on December 14, 1594. This evidence is supported by an inscription designating his age—“aetate 84�—found on a 1678 portrait of Heda by the Haarlem painter Bray, Jan de .
Edited by William B. Jordan. Translated by P.M. van Tongeren. Exh. cat.

The Protestant Dutch had a reputation for strict rules that defined social conduct. Only on rare occasions, such as a betrothal when a suitor was expected to show passion for his future wife, would a demonstration of emotion be considered proper.
Washington, 1949 (reprinted 1953 and 1958): 90, repro. 1960 Baird, Thomas P.

At the sixth impressionist exhibition in the spring of 1881, Edgar Degas presented the only sculpture that he would ever exhibit in public. The Little Dancer Aged Fourteen , the title given by the artist, has become one of the most beloved works of art, well known through the many bronze casts produced from this unique original statuette, following the artist’s death.
Paris, 1946-1949: 1(1946):127-128, 246, 249-250. 1961 Havemeyer, Louisine B.

P. 30 w 8, or the Crucifixion no. 156 of the Pinacoteca Vaticana).