Claude Monet – The Four Trees – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437121
The Arts 16 (March 1930), p. 479. Harry B. Wehle. "The Exhibition of the H. O.
Dein Suchergebnis zum Thema: "...<b/""/</p
Jean-Baptiste Greuze – Head of a Young Boy – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436588
Among his many exhibits at the Paris Salon of 1763, Greuze showed a head of a boy and two heads of girls; all were the same relatively small size of the present picture but no two were identified as a pair
Paris, 1905, p. 31, no. 444 (Le doux regard de Colin), p. 60, no. 961 (Jeune garÃ
Signed by Nikosthenes – Terracotta kylix: eye-cup (drinking cup) – Greek, Attic – Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/248906
Handbook of the Classical Collection. p. 77, fig. 46, New York: The Metropolitan – Shapes and Names of Athenian Vases. p. 25, fig. 161, New York: Plantin Press.Richter
Handbook of the Classical Collection. p. 77, fig. 46, New York: The Metropolitan
Simone Martini – Madonna and Child – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459136
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
New York, 1918, p. 20. Giacomo De Nicola.
King Clovis I – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/473769
From the monastery of Moutiers-Saint-Jean, Côte d’Or, Burgundy, France; near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?)] ; Michel Manzi French, Paris (through M
London: Phaidon Press, 1959. p. 10, fig. 1. Rorimer, James J.
Nicolaos Tzafouris – Christ Bearing the Cross – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437855
Inscription: Signed and inscribed: (lower center) NICOLAVS·ZAFVRI·PINXIT·; (top, in Greek) [Christ] being dragged to the cross; (beside Christ’s head, in Greek) Jesus Christ; (right, on banner) SPQR
Florence, 1759, vol. 3, p. 5, describes a painting of this subject, with the same
Henri Matisse – Snow Flowers – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/490000
(p. 249). London. Royal Academy of Arts.
Thomas Hart Benton – America Today – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/499559
New School for Social Research, New York (1931–82; unveiled January 1, 1931; sold in May 1982 to Maurice Segoura Gallery); [Maurice Segoura Gallery, New York, 1982–84; sold on February 1, 1984 to Equitable Life]; The Equitable Life Assurance Society of the United States (now AXA), New York (1984–2012; their gift to MMA)
× 13 ft. 4 in. (233.7 × 406.4 cm) b: 92 in.
The Baptism of Christ – Austrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/472157
From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.
The Agony in the Garden – Austrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/472158
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.