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This is a signed early work by Cuyp, probably painted about 1643–44. Although larger than most works painted by the artist when he was in his early to mid-twenties, the painting shares with them a fluid touch and a palette reminiscent of Jan van Goyen; pale browns and yellows blend together in the landscape, tans and grays in the costumes, and blues in the sky
Vol. 2, London, 1909, p. 78, no. 238a, p. 102, no. 331. Wilhelm R. Valentiner.

From the Grand Béguinage of Louvain, Belgium; Jules Frésart, Liège (1882–sold by 1892, to Figdor); Dr. Albert Figdor, Vienna (by 1892–until d. 1927); his posthumous sale, Paul Cassirer, Berlin (September 29–30, 1930, no
Grenoble: B. Arthaud, 1934. p. 196, ill. p. 200. Borchgrave d’Altena, J. de.

[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. no. 58 ter., p.

Freeman, Margaret B. "The Unicorn Tapestries."

Sally B.

?[art market, Berlin, by 1927–at least 1928]; private collection, Berlin (in 1933); [Galerie Sanct Lucas, Vienna, until 1938; exchanged with Neuman]; Baron Karl Neuman (Charles Neuman de Végvár), Vienna, later Greenwich, Conn
[New York], [1970], p. 4. Burton B. Fredericksen and Federico Zeri.

Sally B.

Oxford, 1932, p. 167, as by Daddi. Richard Offner.

1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
Iraq 24, p. 46. Winter, Irene. 1976.

Paris: Galerie Georges Petit, December 8–10, 1902. no. 68, p. 27, ill. p. 26.