JugMade from transparent yellowish colorless glass, this jug has a rounded body narrowed at the base of the neck and a flared opening. It stands on a low foot ring with a pontil mark at the base, and a handle with a thumb rest is attached at the rim and body
Kroger 1995, p. 14.
Said to be from Idalium, Cyprus (A Descriptive Atlas of the Cesnola Collection…, 1903, vol. 3, pt. 2, pl. LXXVIII, 1) Between 1865 and 1872, excavated in Idalium, Cyprus, by Luigi Palma di Cesnola; afterwards, collection of L
History, Chronology, Technic and Classification to the Sixteenth Century, Vol. 1. p.
a: 63 1/2 × 14 1/2 × 25 3/4 in., 318 lb. (161.3 × 36.8 × 65.4 cm, 144.2 kg) b:
The Master of Varlungo is the name attached to a group of pictures apparently dating from the last two decades of the thirteenth century. His eponymous work is a fragmentary Madonna and Child in the church of San Pietro a Varlungo, Florence
Edward B. Garrison. Italian Romanesque Panel Painting.
reportedly the parish church, Castelfranco di Sopra, near Florence (until late 18th century); the Baglioni family, villa Baglioni, Cerreto (late 18th century–about 1903); [Stefano Bardini, Florence, until 1903; probably sold for 115,000 lire through A
Milan, [1936], p. 87, fig. 1 [French ed., (1937), p. 93, fig. 1], calls it the first
Trustees of the Metropolitan Museum of Art 113 (Jul. 1, 1982–Jun. 30, 1983). p.
(see Lugt suppl. 2141b)Lower center of mount in ink: 133Marking: Lower right collector’s
Max Rooses L’Oeuvre de P. P. Rubens. vols.
Bulletin of the Metropolitan Museum of Art, 6(11): p. 211. Richter, Gisela M.
This is the Museum’s only intact Gothic polyptych. It consists of a center panel showing the Coronation of the Virgin accompanied by two music-making angels, and two lateral panels with, from left to right, Saints Bernard, Sylvester, Nicholas, and Julian the Hospitaller
Burton B. Fredericksen and Federico Zeri.
