John F. Stratton – Over-the-Shoulder Soprano Horn in E-flat – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503846
Provo, Utah, 1994, p. 73, fig. 44, ill. Laurence Libin.
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Panel – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/449211
PanelOne of the most fascinating and mysterious objects of early Islamic art in the Museum’s collection, this wood panel was acquired in 1937 from the dealer Paul Mallon in Paris
I. 5684 a-b); Museum of Islamic Art, Cairo (nos. 9518, 11636); Museum of Archaeology
Wall painting: Perseus and Andromeda in landscape, from the imperial villa at Boscotrecase – Roman – Augustan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/250945
From an imperial villa in Boscotrecase, near Pompeii (Santini 1905; Alexander 1929). 1903-4, excavated by Ernesto Santini from an imperial villa on his property at Boscotrecase; from 1904, collection of E
Bulletin of the Metropolitan Museum of Art, 21(4), part 2: p. 11.
Attributed to Joseph de FrÃas – Guitar – Spanish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503440
Scale length: 625 mmBody length: 466 mmNeck length: 374 mmLength of string: 24 5/8 in. (62.5 cm)Length of body: 18 3/8 in. (46.7 cm)Width of upper bouts: 9 in. (22.8 cm)Width of middle bouts: 6 15/16 in
; five-piece pine top with ebonized hardwood binding and ebonized hardwood/pine/b/
Copy of work attributed to Polykleitos – Fragments of a marble statue of the Diadoumenos (youth tying a fillet around his head) – Roman – Early Imperial, Flavian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/251838
Richter, Gisela M. A. 1933. „A Statue of the Diadoumenos.“ Bulletin of the Metropolitan Museum of Art, 28(12): pp. 214–16, figs. 1–3.Metropolitan Museum of Art. 1936[1934]. A Guide to the Collections, Part 1: Ancient and Oriental Art, 2nd edn
A History of Greek Art, Vols. 1 and 2. p. 331, pl. 109b, Cambridge, England.
Attributed to Botticelli – Madonna and Child with Two Angels – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435730
reportedly the parish church, Castelfranco di Sopra, near Florence (until late 18th century); the Baglioni family, villa Baglioni, Cerreto (late 18th century–about 1903); [Stefano Bardini, Florence, until 1903; probably sold for 115,000 lire through A
Milan, [1936], p. 87, fig. 1 [French ed., (1937), p. 93, fig. 1], calls it the first
Giovanni di Tano Fei – The Coronation of the Virgin, and Saints – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436299
This is the Museum’s only intact Gothic polyptych. It consists of a center panel showing the Coronation of the Virgin accompanied by two music-making angels, and two lateral panels with, from left to right, Saints Bernard, Sylvester, Nicholas, and Julian the Hospitaller
Burton B. Fredericksen and Federico Zeri.
Bernardino da Genoa – Madonna and Child with Angels – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435659
as by Lanini; his estate sale, Christie’s, London, April 8, 1886, no. 235, as by B.
Cope and Hood – South Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468474
Dimensions: Overall (a: cope): 58 × 122 1/2 in. (147.3 × 311.1 cm) Overall (b: