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Grisaille Panel – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471887
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905) ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Smithsonian Institution Research Reports 4 (Spring 1973). p. 4.
Rembrandt (Rembrandt van Rijn) – Hendrickje Stoffels (1626–1663) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437396
The daughter of an army sergeant, Hendrickje Stoffels advanced in Rembrandt’s household from servant (by 1649) to mistress, presumed model, and common-law wife, as well as stepmother to the artist’s son Titus (1641–1668) and mother of his daughter Cornelia (1654–1685)
Stuttgart, 1904, p. 262, ill. p. 219. Wilhelm R. Valentiner.
Giovanni di Paolo (Giovanni di Paolo di Grazia) – Saint Catherine of Siena Exchanging Her Heart with Christ – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/438022
Catherine Benincasa was born in Siena about 1347, died in 1380, and was canonized in 1461. She was a member of the Dominican order, a mystic, and minister to the poor and plague-stricken. This picture illustrates Saint Catherine’s miraculous levitation and exchange of her bloody heart with Christ
B[attista]. Cavalcaselle.
Giotto di Bondone – The Adoration of the Magi – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436504
The Artist: Giotto is the key figure of Western painting. His emphasis on solidly described figures and his exploration of a rational pictorial space set the course of European art for the next five hundred years
B. B. "The Adoration of the Kings by a Pupil of Giotto."
Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471911
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Forsyth, William H., and Margaret B. Freeman.
Mark Tobey – Transit – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/488298
(p. 209). Madrid. Fundación Juan March.
Relief panel – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/322613
1840s, excavated under the direction of Austen Henry Layard; 1849, presented by Layard to Lady Charlotte Guest for Canford Manor, Dorsetshire (Dorset), England; 1919, purchased by Dikran Kelekian from Ivor Churchill Guest; 1927, purchased by J
Louchheim, Aline B. 1949. “Near-Eastern Art Placed on Display: Metropolitan Shows
The Virgin Mary and Five Standing Saints above Predella Panels – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/473007
From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pflaz (Rhein-Hunsrück-Kreis), near Koblenz, Germany; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875-1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, nos
New York: The Metropolitan Museum of Art, 1983. no. 29, p. 372.
Architectural canopy – Austrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/472162
From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.
