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Attributed to Lorenzo Monaco (Piero di Giovanni) – The Intercession of Christ and the Virgin – Italian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470328

Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Florence: Giovanni Cirri, 1887. pt. 1: p. 241, pt. 2: p. 151. Poggi, Giovanni.

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Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435597

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
sale, Hôtel Drouot, Paris, April 18, 1868, no. 11, for Fr 55,000 to Narischkine); B.

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Edouard Manet – Madame Edouard Manet (Suzanne Leenhoff, 1829–1906) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436957

the sitter, the artist’s widow, Suzanne Manet, Paris (1883–94; sold on March 26, 1894, as „Moi chapeau noir / manteau gris“ [Me, black hat / gray coat], for Fr 60, to Vollard); [Ambroise Vollard, Paris, 1894–95; sold on March 5, 1895, as „esquisse de Manet / Mme Manet au chapeau / noir et manteau gris,“ for Fr 250 to Ménard-Dorian]; Mme Louise Aline Ménard-Dorian, Paris (1895–d
Harry B. Wehle. "A Loan of Paintings."

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