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Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435597
When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
sale, Hôtel Drouot, Paris, April 18, 1868, no. 11, for Fr 55,000 to Narischkine); B.
Mosque Lamp for the Mausoleum of Amir Aydakin al-‚Ala’i al-Bunduqdar – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/447000
Mosque LampThis lamp has a flattened, almost globular body with a long flared neck and a low folded foot. Three suspension loops are attached to the body. The enameled and gilded decoration consists of three main registers and four narrower bands of continuous vegetal patterns
P.
Edouard Manet – Madame Edouard Manet (Suzanne Leenhoff, 1829–1906) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436957
the sitter, the artist’s widow, Suzanne Manet, Paris (1883–94; sold on March 26, 1894, as „Moi chapeau noir / manteau gris“ [Me, black hat / gray coat], for Fr 60, to Vollard); [Ambroise Vollard, Paris, 1894–95; sold on March 5, 1895, as „esquisse de Manet / Mme Manet au chapeau / noir et manteau gris,“ for Fr 250 to Ménard-Dorian]; Mme Louise Aline Ménard-Dorian, Paris (1895–d
Harry B. Wehle. "A Loan of Paintings."
Vision of Saint Germain of Paris – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471987
From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris (closed February 1792; panels possibly removed by November 25, 1796; chapel destroyed 1802); [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
New York: The Metropolitan Museum of Art, 1975. p. 18.
Saint-Guilhem Cloister – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/472181
From the abbey church of Saint-Guilhem-le-Désert, near Montpellier, France; Pierre-Yon Vernière, Aniane, France ; Charles Vernière, Aniane, France ; Antoine Labrigot, Carcasonne, France ; [ Louis Cornillon, Paris] ; George Grey Barnard American, New York (until 1925)
P. Dutton, 1970. pp. 247–49.
Statuette of Huwebenef – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544491
Excavated by Lord Carnarvon and Howard Carter, 1911. Acquired by Carnarvon in the division of finds. Carnarvon Collection, 1911–1926. Carnarvon Collection purchased by the Museum from Lady Carnarvon, 1926
The statuettes of the child Amenemhab (26.7.1413a, b) and Huwebenef were found inside
Garofalo (Benvenuto Tisi da Garofalo) – Saint Nicholas of Tolentino Reviving the Birds – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436443
Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 40); Herzogen von Leuchtenberg, Munich and St
1852, p. 7, no. 36, pl. 36].
Giovanni di Paolo (Giovanni di Paolo di Grazia) – Saint Catherine of Siena Exchanging Her Heart with Christ – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/438022
Catherine Benincasa was born in Siena about 1347, died in 1380, and was canonized in 1461. She was a member of the Dominican order, a mystic, and minister to the poor and plague-stricken. This picture illustrates Saint Catherine’s miraculous levitation and exchange of her bloody heart with Christ
B[attista]. Cavalcaselle.
