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Jacometto (Jacometto Veneziano) – Portrait of a Young Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436769

baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
Arts 5 (May 1924), p. 264, ill. p. 263, as in the collection of Andrew W.

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Painting by Habiballah of Sava – "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451725

The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
P. Dutton & Co., 1970. no. 157, p. 180, ill. (b/w). Swietochowski, Marie.

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Pair of Minbar Doors – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/444812

Pair of DoorsThis pair of doors once belonged to a minbar and most probably came from the base of its stairs.[1] An elaborate geometric design centered on twelve-pointed stars arranged in staggered rows decorates the front of the doors, which are constructed of rosewood
New York: The Metropolitan Museum of Art, 1930. pp. 99–100, ill. fig. 44 (b/w).

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Moretto da Brescia (Alessandro Bonvicino) – Christ in the Wilderness – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437157

This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
Brescia, 1898, p. 108 [see Ref. Begni Redona 1988]. P[ietro]. d[a] P[onte].

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Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449533

Tughra of Sultan Süleyman the MagnificentThe Ottoman Turkish sultans controlled one of the most efficient, well-organized, and effective governmental bureaucracies of early modern times; at the apex of this governmental structure was the Ottoman Imperial Chancery, which created, copied, and recorded all official governmental orders or decrees, known as firman, as well as treaties and official correspondence
Atil 1987, p. 41, no. 4.

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