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P. Maisonneuve et Larose, 2003. Biro, Yaëlle. "Tutsi Basketry."

P. Maisonneuve et Larose, 2003. Biro, Yaëlle. "Tutsi Basketry."

The five pyramids are separated by vast areas of desert that contain private mastaba tombs and burials, stone quarries, pyramid construction ramps, causeways, workers’ settlements, and other installations.
With contributions and an appendix by Adela Oppenheim and contributions by James P.

All of the pyramids belonging to royal women had small chapels dedicated to the cult of the deceased.
With contributions and an appendix by Adela Oppenheim and contributions by James P.

New York: The Metropolitan Museum of Art, 2015, p. 108, fig. 65.

Across the regions of the empire, gladiators and their preparation for fights were depicted through various media, including terracotta oil lamps, figurines, glass vessels, pottery, and relief sculpture.
In Roman Sexualities, edited by P. J. Hallet and B. M. Skinner, 66–95.

As Dynasty 12 progressed, pyramid temples systematically shrank in size, a development that must reflect profound changes in religious belief and the conception of the king’s afterlife.
With contributions and an appendix by Adela Oppenheim and contributions by James P.

The officials of Senwosret III erected their tombs in a close group that was separated from the royal pyramid complex by a narrow desert strip.
With contributions and an appendix by Adela Oppenheim and contributions by James P.

Early Cycladic sculpture comprises predominantly female figures that range from simple modification of the stone to developed representations of the human form, some with natural proportions and some more idealized.
Jonsered: P. Astrom, 1993. Thimme, Jürgen, ed.

The Metropolitan Museum of Art Bulletin vol. 53, no. 3 (Winter 1995–1996), p. 68