Edouard Manet – The Spanish Singer – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436944
London, 1912, pp. 26, 33, 100, 222, no. 23, ill. opp. p. 26. B[ryson].
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Vincent van Gogh – Cypresses – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437980
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
[July 2, 1889] [Van Gogh Museum, Amsterdam, inv. no. b645 V/1962, http://vangoghletters.org
Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471911
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Forsyth, William H., and Margaret B. Freeman.
Lidded Basket – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310768
Julius Carlebach, 1958 Object Number: 1978.412.326a, b Mr. and Mrs.
Ballock Knife with Sheath – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/32778
Pratt, 1925 Object Number: 25.188.5a, b Marking: Marked on both sides of the blade
Simone Martini – Saint Ansanus – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/458953
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
For a reconstruction of the altarpiece, see http://www.metmuseum.org/collection/the-collection-online
Beaker with Relief-cut Decoration – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/452522
Cup (no. 65.172.1) and Beaker (no. 1974.45)Inevitably, the immediate models used by Iranian glassmakers following the advent of Islam came from their Sasanian heritage, which in turn had developed from a centuries-long distinctive and individual artistic tradition in the geographical area of Greater Iran
41; or in Encyclopaedia Iranica, Online Edition, December 15, 1993, available at http
Simone Martini – Madonna and Child – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459136
The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
For a reconstruction of the altarpiece, see http://www.metmuseum.org/collection/the-collection-online
Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/21997
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
B. 19, pl. 7. Minet, William. "The Capells at Rayne, 1486–1622."
Vincent van Gogh – La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437984
–B. de La Faille. L’Oeuvre de Vincent van Gogh: Catalogue Raisonné.