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in. (76.2 x 50.8 cm) Classification: Basketry Credit Line: Purchase, William B.

Bibliography of The Met’s Scientific Research department
Krekeler, P. Roelofs, I. Verslype, B. van Kooij, and A. van Loon.

Unlike books of hours, which were intended for individual devotion and usually small enough to be held in the hand, choir books were created for shared, communal worship and consequently necessitated a larger format.
Initial P with the Martyrdom of Saint Peter Martyr Italian second half 13th century

The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
For a reconstruction of the altarpiece, see http://www.metmuseum.org/collection/the-collection-online

Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
B. 19, pl. 7. Minet, William. "The Capells at Rayne, 1486–1622."

Paris, [1835], p. 11. P. Delaperrière. "Beaux-Arts: Salon de 1835."

The Artist: The great history painter and portraitist Jacques Louis David studied with Joseph Marie Vien and then, in 1766, entered the school of the Académie Royale de Peinture et de Sculpture
B[onnefoy]. de B[ouyon].

Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
Harry B. Wehle. "Le Mezzetin by Antoine Watteau."

Julius Carlebach, 1958 Object Number: 1978.412.327a, b Mr. and Mrs.

Revolutionary conquests were echoed in the fine and decorative arts, in which figures of Fame and Victory abounded.
drew recognition as a skilled maker of bronze mounts for such pieces ( 44.152a,b)