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Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
B. D. B. Gattières, 1785, p. 22 [Collection Deloynes, vol. 14, no. 345].

The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Forsyth, William H., and Margaret B. Freeman.

Julius Carlebach, 1958 Object Number: 1978.412.326a, b Mr. and Mrs.

the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
[July 2, 1889] [Van Gogh Museum, Amsterdam, inv. no. b645 V/1962, http://vangoghletters.org

Pratt, 1925 Object Number: 25.188.5a, b Marking: Marked on both sides of the blade

conservation, Islamic
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Cup (no. 65.172.1) and Beaker (no. 1974.45)Inevitably, the immediate models used by Iranian glassmakers following the advent of Islam came from their Sasanian heritage, which in turn had developed from a centuries-long distinctive and individual artistic tradition in the geographical area of Greater Iran
41; or in Encyclopaedia Iranica, Online Edition, December 15, 1993, available at http

This is in fact the repeating story of the Spanish guitar: the innovations of Spain’s virtuosic musicians and ingenious craftsmen disperse to captivate and transform guitar-playing traditions around the world.
however, there was no solo guitar music published before 1674 (see Tyler 2005, p.

–B. de La Faille. L’Oeuvre de Vincent van Gogh: Catalogue Raisonné.

in. (76.2 x 50.8 cm) Classification: Basketry Credit Line: Purchase, William B.