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Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
Medium: Steel Dimensions: H. 17 1/2 in. (44.4 cm); W. 11 1/4 in. (28.6 cm); D. 9

Rosalie Interceding for the Plague-stricken of Palermo, now also in The Met (http
Spiegel Historiael 4 (September 1969), p. 456, fig. 9. B[ob]. Haak.

The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Forsyth, William H., and Margaret B. Freeman.

Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
[Genesis 9:22]) (cross stem, down right side): + IVD[A]EI / RISeRe : DEI : P[O]ENAM

Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
B. D. B. Gattières, 1785, p. 22 [Collection Deloynes, vol. 14, no. 345].

Le nain jaune 5 (June 9, 1867), p. 5. Edouard Manet. Letter to a patron.

The Artist: The Sienese master Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique
/search/437675 (additional images).

A belief in amulets and the magical properties of stones was not relegated to the realm of the uneducated and superstitious.
Coptic Egypt: The Christians of the Nile, p. 15.. New York: Abrams, 2000.

the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
–B. de La Faille. "Vincent van Gogh."

Art Digest 13 (December 1, 1938), p. 9, ill. Harry B. Wehle.