Chiriquà artist(s) – Warrior – ChiriquÃ, Aguas Buenas Phase – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312642
See especially cat. no. 103, p. 195.
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Tutsi artist – Panel – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/320815
P. Maisonneuve et Larose, 2003. Biro, Yaëlle. "Tutsi Basketry."
Screen (Inyeqamo) – Tutsi peoples – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/319903
P. Maisonneuve et Larose, 2003. Biro, Yaëlle. "Tutsi Basketry."
Damascus Room | The Metropolitan Museum of Art https://www.metmuseum.org/about-the-met/collection-areas/islamic-art/damascus-room
The Damascus Room is a residential reception chamber (qaʿa) typical of the late Ottoman period in Damascus, Syria.
between the poems inscribed in this room and the ones known from manuscripts, see: http
Kongo artist – Pendant with Saint Anthony of Padua – Kongo peoples; Kongo Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/318317
New York: The Metropolitan Museum of Art, 2015, p. 108, fig. 65.
Francisco de Goya (1746–1828) and the Spanish Enlightenment – The Metropolitan Museum of Art https://www.metmuseum.org/essays/francisco-de-goya-1746-1828-and-the-spanish-enlightenment
Over the course of his long career, Goya moved from jolly and lighthearted to deeply pessimistic and searching in his paintings, drawings, etchings, and frescoes.
on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"
The Pyramid Complex of Senwosret III, Dahshur – The Metropolitan Museum of Art https://www.metmuseum.org/essays/the-pyramid-complex-of-senwosret-iii-in-the-cemeteries-of-dahshur
The five pyramids are separated by vast areas of desert that contain private mastaba tombs and burials, stone quarries, pyramid construction ramps, causeways, workers’ settlements, and other installations.
With contributions and an appendix by Adela Oppenheim and contributions by James P.
The Pyramid Complex of Senwosret III, Dahshur: Queens and Princesses – The Metropolitan Museum of Art https://www.metmuseum.org/essays/queens-and-princesses-in-the-pyramid-complex-of-senwosret-iii-dahshur
All of the pyramids belonging to royal women had small chapels dedicated to the cult of the deceased.
With contributions and an appendix by Adela Oppenheim and contributions by James P.
The Pyramid Complex of Senwosret III, Dahshur: Private Tombs to the North – The Metropolitan Museum of Art https://www.metmuseum.org/essays/the-private-tombs-north-of-the-senwosret-iii-pyramid-complex-dahshur
The officials of Senwosret III erected their tombs in a close group that was separated from the royal pyramid complex by a narrow desert strip.
With contributions and an appendix by Adela Oppenheim and contributions by James P.
The Pyramid Complex of Senwosret III, Dahshur: Temples – The Metropolitan Museum of Art https://www.metmuseum.org/essays/the-temples-of-senwosret-iii-at-dahshur
As Dynasty 12 progressed, pyramid temples systematically shrank in size, a development that must reflect profound changes in religious belief and the conception of the king’s afterlife.
With contributions and an appendix by Adela Oppenheim and contributions by James P.