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the Bargello, Florence, National Gallery of Art, Washington, D.C., 2004, fig. 12 (p.

and La Fornarina: Leonardo and Raphael in Rome,� in Essays Presented to Myron P.

Milan, 1968: 100. 1972 Fredericksen, Burton B., and Federico Zeri.

Isabella Brant was the first wife of the Antwerp master Peter Paul Rubens, whom she married shortly after his return from Italy in 1609. Just before Anthony van Dyck, one-time protégé and frequent collaborator of Rubens, left Antwerp in October 1621 for his own extended stay in Italy, he apparently presented this portrait to his mentor.
1930, as a painting by Peter Paul Rubens, through (Matthiesen Gallery, Berlin; P.

This panel is one of two owned by the National Gallery of Art from one of the most important monuments of Western painting: the towering, two-sided altarpiece known as the Maestà by Duccio di Buoninsegna .
Foreword by Perry B. Cott and notes by Otto Stelzer.

B. de Vries, copy in NGA curatorial files).

P. T. A.

Vincent van Gogh painted this picture soon after his release from the hospital, where he was recovering from the disastrous final days of Paul Gauguin’s stay with him in Arles. In a long letter to his brother Theo posted January 23, 1889, he mentions creating this painting alongside several other issues, including the need to make money through picture sales.
–B. de la. L’Oeuvre de Vincent Van Gogh, catalogue raisonné. 4 vols.

Pieter de Hooch worked in the small and relatively quiet city of Delft from 1652 to about 1660. Like other Delft artists, most notably Carel Fabritius and Johannes Vermeer, De Hooch painted everyday scenes that are remarkable for their clarity of perspective and harmony of light.
London, 1957: pl. 112. 1960 Baird, Thomas P.

December 5, 2024 “Toward a Nonhuman History of Renaissance Art (Worms)� David P.