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William B. Jordan, trans. P.

Art News 40, no. 17 (December 15-31, 1941):repro. p. 19 1942 "Recent Important

Kress, Rush Kress, P. A. B. Widener, Joseph Widener, Lessing J.

This bold composition reveals the influence of the flat, patterned surfaces, simplified color, and unusual angles of Japanese prints, which enjoyed a huge vogue in Paris in the late 1800s. The dark figure of the man compresses the picture onto the flat plane of the canvas, and the horizon is pushed to the top, collapsing a sense of distance.
Foreword by Perry B. Cott and notes by Otto Stelzer.

meadow, and river are evidence of the artist’s creative synthesis of the actual site
Foreword by Perry B. Cott and notes by Otto Stelzer.

B. Widener, the millionaire collector from Philadelphia.

Renaissance artist Raphael was famous in his own time. It is easy to understand why.
Saint Petersburg;[3] purchased April 1931 through (Matthiesen Gallery, Berlin; P.

This unusually large panel painting depicts three facets of Marian iconography: the Virgin’s corporeal assumption, the Immaculate Conception—the crescent moon and the radiance behind her identify Mary as the Woman of the Apocalyse, mentioned in Revelation 12:I—and the Coronation of the Virgin.
X. 1965 Chrisman, Jo, and Charles B. Fowler.

Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its warmth.
Petersburg;[4] purchased April 1931 through (Matthiesen Gallery, Berlin; P. & D.

Yale University Twelve-Month Chester Dale Fellow, 2022–2023 (not in residence) Sites