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Spinello Aretino. 1900 Catalogue of Paintings Forming the Private Collection of P.

London, 1902: no. 14 (1991.190.1.a), 34 (1991.190.1.b, 1991.190.1.c). 1903 Berenson

This six-foot-wide canvas was something new for a 19th-century artist: it’s a sketch the same size as the final painting (now in the Frick Collection in New York).
studio by the artist until his death in 1837.[1] John (later Sir John) Pender [b.

privées en Suisse: La collection Emile Staub," L’Amour de l’Art, January 1926, p.

Dutch seventeenth-century artists drew their subject matter from all elements of society. The refinement of the wealthy burghers in the second half of the century was best captured by Gerard ter Borch the Younger.
1959):116-119, repro. 119, 296; 2(1960):147-148, no. 139. 1960 Baird, Thomas P.

Marcia Kupfer, Washington, DC Paul Mellon Visiting Senior Fellow, June–August 2021 Sites

Associated Names Nemes, Marczell von Galerie Manzi-Joyant Paul P.

This painting is an outstanding example of the abstract elegance characteristic of Rogier’s late portraits. Although the identity of the sitter is unknown, her air of self–conscious dignity suggests that she is a member of the nobility.
B. Hulin de Loo, Georges. "Robert Campin or Rogier van der Weyden?

Associated Names Deudon, Charles-Henri Deudon, Charles-Henri, Mme Paul P.

The exhibition of Home, Sweet Home in the spring of 1863 auspiciously marked Winslow Homer’s debut as a painter. The painting was enthusiastically admired.
P. Avery."