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New York: Hans P. Kraus Jr. Fine Photographs, 1992. p. 191.

Art of the Goldsmith in Classical Times as Illustrated in the Museum Collection. p.

As the centuries passed, the structures of the North Acropolis were built ever larger and more massive.
Sharer, Robert J., with Loa P. Traxler. The Ancient Maya. 6th ed.

Nexus Network Journal 14, no. 2, p. 232, fig. 3; p. 243, table 3.

The archaeology of rubbish.
Chakaia Booker (American, b. 1953).

Below the falcon, the name Horus name of Amenemhat I (wHm-msw.t) is written. The inscription above the falcon headed god reads: bHd.t(j) Di=f anx, (Horus of Edfu, may he give life). The remaining inscription probably accompanies the divine figure to the left
In The Metropolitan Museum of Art Bulletin, vol. 3, no. 12 (December), p. 220.

The wrapping with linen changed forever the shape of the human body and created a new being of divine character that was believed to be able to live forever.
of the Twenty-First Century, edited by Zahi Hawass and Lila Pinch Brock, vol. 1, p.

conservation, Islamic
Fair, L., Rizzo, A., and Edelstein, B. 2010.

This room, installed in gallery 724, comes from a townhouse for the Baltimore, Maryland, merchant and shipowner Henry Craig (1767–1832). Although it served as the Craig family’s parlor, the Museum has furnished the space as a dining room since the American Wing opened in 1924
Image: "Thalia Hall Changes Hands," The Baltimore Sun, May 17, 1900, p. 10 The Cuneos

Detroit 1985, p. 130.