Cupisnique artist(s) – Bottle with caiman – Cupisnique – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310652
Similar objects have been reportedly found in the Tembladera cemetery or other nearby sites
Dein Suchergebnis zum Thema: "...<b/""/</p/"/sites
Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now – The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/flight-into-egypt-black-artists-and-ancient-egypt-1876-now/visiting-guide
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
B.
Bronze armorer working on a helmet – Greek – Geometric – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/254480
Been between 1936 and 1938, acquired by Sigmund Morgenroth (1874-1963), purchased through Münzhandlung, Basel; until 1942, collection of S. Morgenroth and his son, Charles L. Morley; acquired in 1942, purchased from Charles L
Bulletin of the Metropolitan Museum of Art, 3(10): p. 243. Richter, Gisela M.
Thomas Appleton – Pipe Organ – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503670
J. Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney. Musical Instruments: Highlights of the Metropolitan Museum of Art. First Printing. © 2015 by the Metropolitan Museum of Art, New York
New York, 2015, p. 6, p. 116, ill. Ed. Laurence Libin.
Paulus Bor – The Disillusioned Medea – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435713
This painting, one of Bor’s finest works, dates from about 1640. Its subject and its relationship to a similar picture in the Rijksmuseum, Amsterdam, have been debated, but it is likely that the two canvases were painted as a pair and depict the complementary stories of the disillisioned Medea and Cydippe with Acontius’s apple (see fig
The Hague, 1952, p. 151, pl. 13. Roberto Longhi.
Textile fragment – Sasanian – Sasanian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/325992
1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
The Metropolitan Museum of Art Bulletin 28 (2), p. 58.
Nikare as a scribe – Old Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/543900?exhibitionId=%7B84492ae0-e217-43c5-85c0-e1eb45272036%7D&oid=543900&pkgids=77&pg=1&rpp=4&pos=2&ft=*&locale=en
Cambridge, Mass.: The Metropolitan Museum of Art, p. 110.
Furniture element: kneeling male figure – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323583
De Boccard, p. 163, pl. CXXV, fig. 1086. Harper, Prudence O. 1969.
Textile fragment – Sasanian – Sasanian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/325989
1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
Iran 6, p. 162, pl. IIIb. Crawford, Vaughn E. 1969.
Adam August Müller – The Hall of Antiquities at Charlottenborg Palace, Copenhagen – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/780292
The Artist: Müller aspired to be a history painter, that is, to specialize in a genre not generally associated with Danish Golden Age painting. His influential teacher, Christoffer Wilhelm Eckersberg (1783–1853), himself a pupil of Jacques Louis David, did produce history paintings, but these lack the simple grace and charm of his portraits, landscapes, and genre scenes
Rasmussen 2017, p. 20, under no. 4 (see References). [2] C.