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Attributed to Qu Ding – Summer Mountains – China – Northern Song dynasty (960–1127) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/39915

Inscription: No artist’s inscription, signature, or sealFrontispiece Unidentified artist, 1 column in standard script, undated: Summer Mountains by Yan Wengui燕文貴 《�山圖》Other inscriptionQing emperor Qianlong 清�乾隆 (r
Elliot Family and John B.

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Capital with Acanthus Leaves – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/448410

CapitalMasterfully carved, this Corinthian-style capital must have originally decorated a colonnaded hall or courtyard arcade in one of the lavishly embellished palaces erected during the tenth century under the patronage of the Umayyad dynasty in and around Cordoba, its capital
New York: The Metropolitan Museum of Art, 1944. p. 106, ill. fig. 60 (b/w).

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Eugène Delacroix – A Wall Decorated in Spanish Tiles – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/342877?exhibitionId=%7Bfeee1fa2-9e4c-4f43-a108-9fafefbf035e%7D&oid=342877&pkgids=500&pg=1&rpp=4&pos=2&ft=*&locale=en

Inscription: Inscribed in graphite with numerous color notations, including, in left margin: „violet / fond jaune / violet / filaments bleus / fond blanc“; top center: „baguettes vertes et rouges“; right margin: „bleu et jaune le milieu des fleurs / bleu / violet / vert“; far right (oriented perpendicularly): „l’aigle qui [illegible]“Marking: Stamped in red ink, lower left: Delacroixp estate mark (Lugt 838a)
"Devotion to Drawing: The Karen B.

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Michelangelo Buonarroti – Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/337497

Signature: [On recto, annotated in pen and light brown ink at lower left:] di Michel Angelo bona RotiInscription: On verso, annotated in pen and brown ink at upper right: 58 Annotated by early 16th century hand at lower center, following the same numbering system of the Michelangelo drawings in the Buonarroti family: nº
Munich, 1925, p. 33, no. 32.

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