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Foreword by Perry B. Cott and notes by Otto Stelzer.

Paris, 1937:repro. p. 25. Duret, Théodore. Renoir.

P. & D. Colnaghi & Co., Ltd. Barry, Francis, Hon. Arthur, Thomas Glen M.

[3] See Knoedler stock book no. 8, p. 156 and Knoedler sales book no. 13, p. 366

London, 1902: no. 14 (1991.190.1.a), 34 (1991.190.1.b, 1991.190.1.c). 1903 Berenson

Sensational and scandalous for an American audience unused to seeing classically nude statues of women, this figure by Hiram Powers caused a frenzy when it was first exhibited in the mid-19th century. Curious viewers came in droves to see it after Powers sent several copies from Italy, where he created the work.
[1] Provenance per Richard P.

Dutch seventeenth-century artists drew their subject matter from all elements of society. The refinement of the wealthy burghers in the second half of the century was best captured by Gerard ter Borch the Younger.
1959):116-119, repro. 119, 296; 2(1960):147-148, no. 139. 1960 Baird, Thomas P.

Spinello Aretino. 1900 Catalogue of Paintings Forming the Private Collection of P.

Above all, Johannes Vermeer was a painter of light. In this exquisite painting, diffused light softly illuminates the tabletop, the woman’s face, and her rich lemon-yellow morning jacket.
P.

Meindert Hobbema studied under the noted landscape artist Jacob van Ruisdael, and quite a few of his compositions evolved from the work of his erstwhile master. Hobbema approached nature in a straightforward manner, depicting picturesque, rural scenery enlivened by the presence of peasants or hunters.
Pictures in the collection of P. A. B.