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Isbell, William Harris, Mauricio Uribe, Anne Tiballi, and Edward P.

This parlor comes from a house built in Petersburg, Virginia, in 1811, but prominently features furniture made in New York City from the same period. Like the nearby Baltimore and Haverhill Rooms, the Benkard Room exemplifies the popularity of Robert and James Adam’s Neoclassical taste in the young United States.
For the room’s reopening, curator Berry B.

New York: The Metropolitan Museum of Art, 1987, p. 62.

Knopf, 1978, p. 160. Speiser, F.

New York: The Metropolitan Museum of Art, 1944, p. 30, cat. no. 23.

Olmec artists were revolutionary for their time, establishing the first major widespread styles in Mesoamerica, laying the foundation for later innovation from the central Mexican metropolis of Teotihuacan south to the Maya area.
The Metropolitan Museum of Art February 2017 Further Reading Benson, Elizabeth P.

Knopf, 1978, p. 230. Lavalle, José Antonio de, and Walter Lang.

This library comes from a red-brick Gothic Revival villa built for banker Frederick Deming (1787–1860) and his family in the hamlet of Balmville, New York. The house is a classic example of the Gothic Revival style in domestic architecture and the room is arranged to illustrate how an upper-middle-class family might have furnished their library.
The Metropolitan Museum of Art, New York, Gift of Berry B.

Pliny’s retreats slipped into the landscape with terraced gardens and opened outward to natural surroundings through colonnades, or loggias, which replaced solid enclosing walls.
Cubiculum (bedroom) from the Villa of P.

The memory, meaning, and makers of Palestinian embroidery.
la découverte archéologique de ‚ Asi-l-Hadat (XIIIe siècle), Paris: Edifra, p.