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Louis Léopold Boilly – The Public Viewing David’s "Coronation" at the Louvre – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/438099

Boilly was born and educated around Lille. He moved to Paris in 1785 and exhibited at the Salon between 1791 and 1824. A painter in the tradition of Dutch seventeenth-century naturalism, for which he prepared by studying trompe l’œil as well as caricature, Boilly was well-known for genre scenes and for small-scale portraits, of which he claimed to have painted 4,500, most in single two-hour sittings
B. [Jean-Baptiste Boutard], "Beaux-Arts. Tableau du Couronnement; par M.

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Pablo Picasso – Nude in an Armchair – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/490587?oid=490587&locale=en

[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Milan, 1972, p. 102, no. 291, ill. p. 101, as "Nudo femminile in poltrona".

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Haidar ‚Ali – Sultan Muhammad ‚Adil Shah and Ikhlas Khan Riding an Elephant – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/454814

Sultan Muhammad ‚Adil Shah and Ikhlas Khan Riding an ElephantMuhammad ‚Adil Shah (reigned 1627–56) inherited the splendid and diverse ruling traditions of his father, Ibrahim ‚Adil Shah II (reigned 1580–1627) and himself oversaw a strong and distinguished period of Bijanpur history
Benares, 1981. p. 177, ill. fig. 429 (b/w).

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
, fig. b.

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