Relief: two servants bearing food and drink – Achaemenid – Achaemenid – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323178
New York: The Metropolitan Museum of Art, p. 32, fig. 49.
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The Tomb of Three Foreign Wives of Tuthmosis III – The Metropolitan Museum of Art https://www.metmuseum.org/met-publications/the-tomb-of-three-foreign-wives-of-tuthmosis-iii
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Organization and Conventions of Pottery Registers New Kingdom Pottery Register (p.
Sorgheloos ("Carefree") in Poverty – Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470391
Carboni, Stefano, and Timothy B. Husband.
Relief of Thutmose III – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544455?exhibitionId=%7B93440c6e-13e0-4862-9f3e-692791f736dc%7D&oid=544455&pkgids=238&pg=1&rpp=4&pos=1&ft=*&locale=en
Excavated by Lord Carnarvon and Howard Carter, 1906. Acquired by Carnarvon in the division of finds. Carnarvon Collection 1906-1926. Carnarvon Collection purchased by the Museum from Lady Carnarvon, 1926
London: Burlington Fine Arts Club, p. 63 B, pl. 11. Hayes, William C. 1959.
Furniture support: female sphinx with Hathor-style curls – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/322891
The Bulletin of the Metropolitan Museum of Art 28 (2), p. 24.
Furniture element: bull-man with Hathor-style curls – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323522
De Boccard, p. 164, pl. CXXVI, fig. 1081. Harper, Prudence O. 1969.
Bowl – China – Neolithic period, Majiayao culture (ca. 3300–2050 BCE) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/49040
Judith Ogden Thomson , Princeton, N.J. (1986–1996; sale, Christie’s, New York, Fine Chinese Ceramics and Works of Art, June 5, 1986, lot 3, as „A Neolithic basin,“ to private collection; her gift to her son; on loan to MMA 1986–1996); Private collection , New York (1996–present; on loan to MMA 1996–present)
Both branches are subdivided into six phases, named after specific archaeological sites
Attributed to Qu Ding – Summer Mountains – China – Northern Song dynasty (960–1127) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/39915
Inscription: No artist’s inscription, signature, or sealFrontispiece Unidentified artist, 1 column in standard script, undated: Summer Mountains by Yan Wengui燕文貴 《�山圖》Other inscriptionQing emperor Qianlong 清�乾隆 (r
Elliot Family and John B.
Edgar Degas – The Dance Class – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/438817
The Painting: In 1873, the great opera baritone Jean-Baptiste Faure commissioned from Degas a picture depicting ballerinas of the Opera ballet corps at an examination or dance class (Pantazzi 1988)
Paris, 1924, ill. opp. p. 96, as "La répétition au foyer de la danse". J. B.