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Summer by Jacopo Tintoretto

https://www.nga.gov/artworks/46189-summer

Summer is represented here as Ceres, goddess of agriculture, reclining in front of her attribute, a row of wheat stalks. The work is one of three known paintings from a cycle by Jacopo Tintoretto depicting the personifications of the four Seasons.
Manning, Bertina. “Titian, Veronese and Tintoretto in the Collection of Walter P.

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Madame Moitessier by Jean-Auguste-Dominique Ingres

https://www.nga.gov/artworks/32696-madame-moitessier

When his friend Marcotte first suggested that Ingres paint Ines Moitessier, the wife of a financier and jurist, he demurred. Ingres changed his mind after being struck by her „terrible et belle tête“ (terrible and beautiful head.) The author Théophile Gautier described her as „Junolike,“ and Ingres presents her with the imposing remoteness of a Roman goddess.
1850-1934], by 1921;[2] probably her son, François,[3] comte Taillepied de Bondy [b.

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The Prefect Raffaele Raggi by Sir Anthony van Dyck

https://www.nga.gov/artworks/1229-prefect-raffaele-raggi

With one hand resting on a baton and the other on the hilt of his sword, the sitter turns and looks down at the viewer, his haughty expression consistent with the proud swagger of his pose. As he stands before an evening sky and extensive landscape with a distant view of the bay of Genoa, light glints off his armor and deep-red sashes, draped gracefully across his body and tied to his arm, enhance his bravura.
Pictures in the collection of P. A. B.

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