A favorite Florentine Renaissance sculptural type, this bust of a young boy reveals Desiderio as one of the finest marble carvers of all time. Even Leonardo da Vinci learned from his subtle transitions and sensitive expressions.
New York, 1944: figs. 60-62, as Bust of a Boy. 1948 Louchheim, Aline B.
Consolidated Interrogation Report #2, The Goering Collection, 15 September 1945, p.
This gruesome scene is from the Old Testament story of David defeating the giant Goliath. David is shown swinging the slingshot that brought down Goliath, whose severed head lies on the ground.
the Bargello, Florence, National Gallery of Art, Washington, D.C., 2004, fig. 13 (p.
Dutch seventeenth-century artists drew their subject matter from all elements of society. The refinement of the wealthy burghers in the second half of the century was best captured by Gerard ter Borch the Younger.
1959):116-119, repro. 119, 296; 2(1960):147-148, no. 139. 1960 Baird, Thomas P.
Accession Number 1943.3.1347 Catalogue Raisonné Hind ‚Engravings‘, Vol. 1, p.139
Bibliography 1952 Molyneux 1952, [p.6]. 1961 French Paintings of the Nineteenth
Associated Names P. & D. Colnaghi & Co., Ltd.
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Andreessen via the Silicon Valley Community Foundation, Raj and Indra Nooyi, Mitchell P.
Explore our collection of nearly 160,000 works spanning the history of Western art.
Andreessen via the Silicon Valley Community Foundation, Raj and Indra Nooyi, Mitchell P.
