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Merchants of Art: 1880-1960, Eighty Years of Professional Collecting, New York, 1961, p.

This small painting is less than 10 inches across, and it was surely made for the private devotions of the person who owned it. That the owner was of modest means is suggested not only by the painting’s size but also by the limited use of gilding.
country sale, Patterdale Hall, Ullswater, near Penrith, Cumbria, 8 August 1934); (P.

collection, Paris.[1] (Galerie Heinemann, Munich) from 1913; sold 1916 to Hans Wendland [b.

ink over graphite with scratching-out on wove paper Credit Line Gift of William B.

[5] Harry B.

upper center in black marker: 49 x 39,5; upper center in blue-black ink: BRASSA� / P.

Commissioned for the Chapel of San José in Toledo by Martín Ramírez, a namesake of the saint and donor of the chapel, Saint Martin and the Beggar was part of one of the artist’s most successful ensembles. The saint, who lived during the reign of Constantine the Great, was a member of the imperial cavalry stationed near Amiens, in Gaul.
B. Widener [1834-1915], Elkins Park, PA;[1] inheritance from Estate of Peter A.

Charles Sheeler was a master of both painting and photography, and his work in one medium influenced and shaped his work in the other.[1] In 1927, he was commissioned to photograph the Ford Motor Company’s new River Rouge Plant near Detroit. Then the world’s largest industrial complex, employing more than 75,000 workers, the plant produced Ford’s Model A, successor to the famed Model T.
Edsel B.

Spinello Aretino. 1900 Catalogue of Paintings Forming the Private Collection of P.

London, 1902: no. 14 (1991.190.1.a), 34 (1991.190.1.b, 1991.190.1.c). 1903 Berenson