For this depiction of Joseph spurning the advances of his Egyptian employer’s wife, as recounted in the Book of Genesis, Guercino chose a three-quarter length format that presses the life-sized figures close to the spectator. He has filled the scene with the bed — all rumpled sheets and opulent curtains.
to Alexander Charles Robert Vane-Tempest-Stewart, 9th marquess of Londonderry [b.
In European art, images of children blowing soap bubbles often suggest how frivolous and short our time on earth is. Life, like fragile bubbles, is fleeting.
B. S. Chardin et de J. H.
Pieter de Hooch excelled in the sensitive depiction of people going about their daily lives, be it inside their houses or in the sheltered environment of an urban courtyard. His masterly control of light, color, and complex perspectival construction can be compared to the work of Johannes Vermeer, his contemporary and colleague in Delft.
Pictures in the collection of P. A. B.
Paris, 1937:repro. p. 25. Duret, Théodore. Renoir.
P. & D. Colnaghi & Co., Ltd. Barry, Francis, Hon. Arthur, Thomas Glen M.
In a chronological list of his works which David drew up in about 1815 ("Liste B"
Black, blue, white, silver, russet, and orange paint are here, but no lavender. The title, suggested by a critic who championed the artist, points our attention to light and color effects.
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After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Pictures in the collection of P. A. B.
Knoedler & Co., London and New York, and P. & D.
