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For artist Kerry James Marshall (American, b. 1955), writing in a foreword for a

New York: The Metropolitan Museum of Art, 1930. no. 19, p. 10, ill. pl.

Excavated by Lord Carnarvon and Howard Carter, 1912. Acquired by Lord Carnarvon in the division of finds. Carnarvon Collection, 1912-1926. Carnarvon Collection purchased by the Museum from Lady Carnarvon, 1926
London: Burlington Fine Arts Club, p. 80 no. 38. Hayes, William C. 1959.

Like a good number of works formerly attributed to Rembrandt, this large canvas was included in catalogues of the artist’s work through Bauch’s corpus of 1966 and then rejected by Gerson (1968, 1969). In 1923, however, Van Dyke, no doubt responding to the frequent suggestion of Frans Hals’s influence on the painting, assigned it to that master or to the „Hals School
Stuttgart, 1906, p. 397, ill. p. 145. Adolf Rosenberg.

Buenos Aires: Ediciones Centurion, 1947. p. 448.

Portrait of the Elephant ‚Alam KamanThe famous elephant immortalized here fell into the hands of the army led by Prince Khurram, the future Shah Jahan (r. 1627–58), during the Mughal campaign to annex the maharana of Mewar’s territories
Dimensions: Whole page a: H. 18 1/8 in. (46 cm) W. 12 5/8 in. (32 cm) Whole page b:

The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
Chilton Jr., and Sally and Howard Lepow Gifts; Charles B.

This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
Manuel B. Cossío. El Greco.

B[arr]., Jr. Henri-Matisse: Retrospective Exhibition.

Pair of DoorsAccording to Museum files, the findspot for these doors was the town of Takrit in north-central Iraq. Researchers, however, have deduced that local residents in modern times had brought them there for reuse from the ruins of Samarra, a site located on the east bank of the Tigris, about seventy-eight miles (125 km) north of Baghdad
Dimand 1932, p. 135. 2.