Dein Suchergebnis zum Thema: "...<b/""/</p/"

1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
Iraq 24, p. 46. Winter, Irene. 1976.

Along with the Virgin and Child with Saint Anne (The Met 14.40.633), the Salvator Mundi (Savior of the World) is one of two exceptional paintings by Albrecht Dürer in the collection of The Metropolitan Museum
American Art News 20 (December 3, 1921), p. 1, ill. p. 6. Pierre du Colombier.

Paris: Galerie Georges Petit, December 8–10, 1902. no. 68, p. 27, ill. p. 26.

(p. 255). Vienna. Albertina.

Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G
B[enedict]. N[icolson]. "’The Fortune Teller‘ at the Louvre."

Kennedy Tod ; Mary Elizabeth Adams Brown Sally B.

From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no
Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no. 36); [ Georges B.

Matheson, Susan B. 1980.

The first convincing argument for the attribution of this work to Van Borssom was made by Niemeijer in 1962, and the attribution was adopted by the Museum in 1990. In his approximately two dozen known paintings and in his numerous drawings, Van Borssom proves to have been an eclectic artist whose ideas came from a considerable variety of Dutch painters and draftsmen
Arts and Decoration 7 (June 1917), p. 402, ill. p. 401 (hanging on wall), as by Potter

Boilly was born and educated around Lille. He moved to Paris in 1785 and exhibited at the Salon between 1791 and 1824. A painter in the tradition of Dutch seventeenth-century naturalism, for which he prepared by studying trompe l’œil as well as caricature, Boilly was well-known for genre scenes and for small-scale portraits, of which he claimed to have painted 4,500, most in single two-hour sittings
B. [Jean-Baptiste Boutard], "Beaux-Arts. Tableau du Couronnement; par M.