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Possibly between 1787-1790, acquired by Sir William Hamilton (British Envoy and Plenipotentiary at the court of Naples), Naples; from the late 1780’s to 1801, possibly in the collection of Sir William Hamilton; 1801-1917, vase and lid probably in the possession of the Hope Family, at Deepdene, Surrey, England (1801-1831 with Thomas Hope; 1831-1862 with Henry Thomas Hope; 1862-1877 with Mrs
Classification: Vases Credit Line: Rogers Fund, 1917 Object Number: 17.230.14a, b

New York Times (July 19, 1931), ill. p. X5. W[illiam]. B. McCormick.

Metropolitan Museum of Art Bulletin vol. 32, section II (1937). p. 19, ill. fig.

Princeton, 1976, p. 15. Gail Gelburd.

New York: The Metropolitan Museum of Art, no. 3, p. 77.

BottleThis bottle clearly illustrates the transitional phase of development between Late Antique and early Islamic period artifacts. Of all the crafts, glassmaking was perhaps the most conservative in terms of both artistic continuity over time and the transfer of skills and ideas from one generation to another
London, p. 65, pl. 32i (related). Jenkins-Madina, Marilyn.

The Bulletin of the Metropolitan Museum of Art 31 (11), p. 221.

Two Zoomorphic Bottles (69.153 and 1999.145)Like the blue bottle decorated with applied threads of blue glass (X.21.210), the playful utilitarian objects 69.153 and 1999
Catalogue by Donald B. Harden and others. Milan, 1987.

On the back of this rectangular ivory panel, a raised rim surrounds a smooth, recessed compartment, displaying the vertical orientation of the ivory grain. The recessed field provided an area for the panel to receive a thin sheet of wax that could be used as an erasable writing surface
Les Arts 9, no. 100 (April 1910). p. 5.

B.