Dein Suchergebnis zum Thema: "...<b/""/</p/"

Bulletin of the Metropolitan Museum of Art, 6(11): p. 211. Richter, Gisela M.

[By 1932, known on the art market]; [1940, purchased by Joseph Brummer from Arthur Upham Pope (Brummer inv. no. N4513)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
The Metropolitan Museum of Art Bulletin 7 (7), p. 189, ill. p. 197.

New York Times (November 20, 2021), ill. p. C1 (color, installation view).

B.

The Yorkshire Archaeological Journal (1905), p. 408.

Metropolitan Museum Journal, 9: p. 91. Hermary, Antoine. 1978.

Folio from the Anonymous Bagdad Qur’anThis illuminated folio and folio no. 55.44 come from different sections of one of the acknowledged masterpieces of calligraphy and book production in the Islamic world
Ibid., p. 90. 4. Published in ibid., fig. 58. 5.

Giovanni de Lutero, known as Dosso Dossi, painted this landscape with figures soon after becoming court artist to Duke Alfonso I d’Este of Ferrara, where the artist arrived by July 1513. The subject is generally given as the Three Ages of Man, analogous to Titian’s well-known painting of the subject (National Gallery of Scotland, Edinburgh), with „youth“ represented by the youngsters who watch the amorous couple, who in turn represent „maturity“, while the two men in the background symbolize „old age“
Milan, 1936, p. 151. Harry B. Wehle.

William Roper, a Kentish landowner, lawyer, and four-time member of Parliament, was a member of Sir Thomas More’s household for more than sixteen years and married his eldest daughter, Margaret, in 1521
London, 1926, p. 225. Paul Ganz.

Das Glas im Altertume, Vol. 3. p. 714, Leipzig: K. W. Hiersemann.