Deborah Butterfield – Vermillion – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/485835
Austin, 2015, p. 18, ill. p. 19 (color).
Austin, 2015, p. 18, ill. p. 19 (color).
Georg (II), Herzog von Saxe-Meiningen, Meiningen, Thuringia (by 1897–d. 1914); Bernhard (III), Herzog von Saxe-Meiningen, Meiningen (1914–d. 1928); Georg, Prinz von Saxe-Meiningen, Heldbourg, Thuringia (1928–29; sold to Douglas); [R
Jena, Germany, 1909, p. 168, ill. following p. 168.
The artist’s brother-in-law, Léon Appert, Paris (in 1892); Félix Fénéon, Paris (by 1904–at least 1909); [Stephan Bourgeois, New York, by 1916–at least 1918]; Adolph Lewisohn, New York (1919–d
The Arts 9 (June 1926), p. 304, ill. p. 309. Stephan Bourgeois.
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Haida probably) 19th century Harmonica Pitch Pipe Hohner ‘Gaillard’ Musette P.
Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
Baltimore, 1947, p. 50, no. 157, pl. XXI. 2. Charles T.
Two Ceramic Tiles (nos. 02.5.91 and 1971.235.2)Major renovations undertaken about 1578 in the private quarters (or harem) of Istanbul’s Topkapı Palace during the reign of Sultan Murad III (r
B. Osgood Field, New York (until 1902; gifted to MMA) Denny, Walter B.
The Artist: One of the leading painters in mid-fourteenth century Italy, Giovanni da Milano was trained in Lombardy, where he developed a style of soft delicacy and precise observation of the natural world
Milan, 1936, p. 210. Harry B. Wehle.
Douglas Dillon Gift and Rogers Fund, 1967 Object Number: 67.10a, b [By 1965, with
JugMade from transparent yellowish colorless glass, this jug has a rounded body narrowed at the base of the neck and a flared opening. It stands on a low foot ring with a pontil mark at the base, and a handle with a thumb rest is attached at the rim and body
Kroger 1995, p. 14.