Georg (II), Herzog von Saxe-Meiningen, Meiningen, Thuringia (by 1897–d. 1914); Bernhard (III), Herzog von Saxe-Meiningen, Meiningen (1914–d. 1928); Georg, Prinz von Saxe-Meiningen, Heldbourg, Thuringia (1928–29; sold to Douglas); [R
Jena, Germany, 1909, p. 168, ill. following p. 168.
The artist’s brother-in-law, Léon Appert, Paris (in 1892); Félix Fénéon, Paris (by 1904–at least 1909); [Stephan Bourgeois, New York, by 1916–at least 1918]; Adolph Lewisohn, New York (1919–d
The Arts 9 (June 1926), p. 304, ill. p. 309. Stephan Bourgeois.
Search art at the Metropolitan Museum.
Haida probably) 19th century Harmonica Pitch Pipe Hohner ‘Gaillard’ Musette P.
Two Tusk Fragments with the Ascension of Christ:17.190.46 and 17.190.48Conforming to the shape of the ivory tusks from which they were carved, these two fragmentary images of the Ascension are so similar that they must have been carved by the same workshop
Baltimore, 1947, p. 50, no. 157, pl. XXI. 2. Charles T.
Two Ceramic Tiles (nos. 02.5.91 and 1971.235.2)Major renovations undertaken about 1578 in the private quarters (or harem) of Istanbul’s Topkapı Palace during the reign of Sultan Murad III (r
B. Osgood Field, New York (until 1902; gifted to MMA) Denny, Walter B.
The Artist: One of the leading painters in mid-fourteenth century Italy, Giovanni da Milano was trained in Lombardy, where he developed a style of soft delicacy and precise observation of the natural world
Milan, 1936, p. 210. Harry B. Wehle.
1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Bulletin of the Metropolitan Museum of Art 30 (2), p. 44.
Douglas Dillon Gift and Rogers Fund, 1967 Object Number: 67.10a, b [By 1965, with
JugMade from transparent yellowish colorless glass, this jug has a rounded body narrowed at the base of the neck and a flared opening. It stands on a low foot ring with a pontil mark at the base, and a handle with a thumb rest is attached at the rim and body
Kroger 1995, p. 14.
Inscription: Notations in graphite on verso, right side, beginning couper/chars/abbatu…(illegible).Marking: Stamped in red ink, lower right: Delacroix estate mark (Lugt 838a)
"Devotion to Drawing: The Karen B.
