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Folios from an Album of CalligraphyMounted within colorful ebru (marbled) papers and surrounded by parti-colored inner borders, these two pages of graceful calligraphy form part of a leather-bound album composed of six folios
p.5 recto, p.4 verso p.1 p.4 Artwork Details Use your arrow keys to navigate

Inscription: (in each corner and in center): A [image of a knot] E [reversed] (unidentified)(on scabbard hanging from man on left): AVE : / REGINA . C[AELORVM] (Hail the Queen of the Heavens [reference to one of the Marian antiphons]) (on dog’s collar, left): OFANGRE (too fragmentary for interpretation) (on dog’s collar, center): A [image of a knot] E [reversed] (unidentified)
Paris: Henri Laurens, 1929. p. 326. Rorimer, James J.

John Quinn, New York (1923–d. 1924; purchased from the artist in December 1923 for Fr 25,000; his estate, 1924–26; sold in 1926 through Brummer Gallery, New York to Duchamp and Roché); Marcel Duchamp and Henri-Pierre Roché (1926; sold in 1926, for $1,000, to Levy); Edgar A
Lemny 2003, p. 154]. "John Quinn’s Collection."

Antonello is one of the most fascinating geniuses of Italian painting. His career remains poorly documented, and the means by which he became adept at the Netherlandish technique remain somewhat conjectural
Harry B. Wehle.

This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
B. Descamps. La Vie des peintres flamands, allemands et hollandois.

Count Girolamo Possenti de Fabriano (Italian), Florence; sale of Count Girolamo Possenti de Fabriano (Italian), Florence (April 1-10, 1880, no. 41); Rodolphe Hirsch Kann, Paris; Bligny, Paris; Georges Hoentschel (French); J
Paris, 1907. no. 18, p. 11. Pératé, André.

From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pfalz (Rhein-Hunsrück-Kreis), near Koblenz, Germany.; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875–sold 1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, no
Vitraux 7, p. 124, ill. in text.

Donnan, Christopher B. Moche Portraits from Ancient Peru.

New York: Time Life Books, p. 156.

Turner made three trips to Venice, in the late summers of 1819, 1833, and 1840, and the present painting, exhibited at the Royal Academy in 1835, must have been painted upon his return from his second visit, presumably using his own drawings and watercolors as source materials
CCCXVII b 23) and another, of about 1840, in the British Museum (1958,0712.443).