Cuxa Cloister – Catalan – The Metropolitan Museum of Art https://www.metmuseum.org/collection/the-collection-online/search/470314
P. Dutton, 1970. pp. 247–49. Rorimer, James J.
P. Dutton, 1970. pp. 247–49. Rorimer, James J.
Kozloff, Arielle P., Betsy Bryan, and Lawrence Michael Berman 1992.
Credit Line: Rogers Fund, 1931 Object Number: 31.3.35a, b Museum excavations, 1929
1960, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1960, as a result of its financial contribution to the excavations
New York: Dutton, no. 52, p. 108.
Désiré van den Schrieck, Louvain (until d. 1857; his estate sale, Étienne Le Roy, Louvain, April 8–10, 1861, no. 123, as „Réunion de famille“); comte Cornet de Ways Ruart, Brussels (until d. 1870); William T
Vol. 33, Leipzig, 1939, p. 167. Harry B. Wehle. "Seventy-Five Years Ago."
Count Girolamo Possenti de Fabriano (Italian), Florence; sale of Count Girolamo Possenti de Fabriano (Italian), Florence (April 1-10, 1880, no. 41); Rodolphe Hirsch Kann, Paris; Bligny, Paris; Georges Hoentschel (French); J
Paris, 1907. no. 18, p. 11. Pératé, André.
This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
B. Descamps. La Vie des peintres flamands, allemands et hollandois.
Inscription: (top center): F [image of a knot] R (too fragmentary for interpretation, most likely added later as a reference to Francius de La Rochedfoucauld) (in each corner): : A [image of a knot] E [reversed] (unidentified)(on two dog collars): A [image of a knot] E [reversed] (unidentified)
Paris: Henri Laurens, 1929. p. 326. Rorimer, James J.
Paris: Hôtel Drouot, May 14, 1912. no. 82, p. 24, ill.
Inscription: Signed and dated (verso, left, in black paint): Juan Gris / ceret 10-13 [now concealed by relining; visible in infrared transmitted light; signature reproduced on relining]
New York, 1944, p. 221, ill. p. 72. Henry-Russell Hitchcock.