Colossal Statue of Amenhotep III, reworked, reinscribed by Merneptah – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544479
Kozloff, Arielle P., Betsy Bryan, and Lawrence Michael Berman 1992.
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Paddle Doll – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544216
Credit Line: Rogers Fund, 1931 Object Number: 31.3.35a, b Museum excavations, 1929
Mark Tobey – Transit – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/488298
(p. 209). Madrid. Fundación Juan March.
Adélaïde Labille-Guiard – Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436840
Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
B. D. B. Gattières, 1785, p. 22 [Collection Deloynes, vol. 14, no. 345].
Architectural canopy – Austrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/472162
From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.
Petrus Christus – The Lamentation – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435898
The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
(March 1953), pp. 9–16; and Denis the Carthusian, “De dignitate et laudibus B.
Reliquary Casket – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466039
Barbara Paley, 1978 Object Number: 1978.273a, b Inscription: (Right) H [Symbol]
Standing figure of Amenhotep III – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544478
Brooklyn, p. 84. Fischer, Henry G. 1977.
Enameled and Gilded Bottle – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/450409
BottleThis large bottle has a domed profile, a slightly flared cylindrical neck, and a low tooled foot. The decoration is divided into a series of bands. The band on the upper body includes three large medallions, each containing an eight-petaled green-and-red central star from which a complex scrolling pattern radiates outward to create a floral pattern; the outlines are in red, the background is blue and gold, and there are eight alternating pointed elements in red and white
Vienna, 1, p. 31. M.
The Unicorn Crosses a Stream (from the Unicorn Tapestries) – French (cartoon)/South Netherlandish (woven) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/467639
Inscription: (top center): F [image of a knot] R (too fragmentary for interpretation, most likely added later as a reference to Francius de La Rochedfoucauld) (in each corner): : A [image of a knot] E [reversed] (unidentified)(on two dog collars): A [image of a knot] E [reversed] (unidentified)
Paris: Henri Laurens, 1929. p. 326. Rorimer, James J.