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Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Florence: Giovanni Cirri, 1887. pt. 1: p. 241, pt. 2: p. 151. Poggi, Giovanni.

Case depth without lid: 9.25 in. (23.5 cm)3-octave span: 19.5 in. (49.5 cm)Length of longest string: 74.25 in. (188.6 cm)Length of shortest string: 4.75 in. (12 cm)Length of c2: 11 in
Preludio from Suite in B Minor by Domenico Zipoli.

Paris, [1835], p. 11. P. Delaperrière. "Beaux-Arts: Salon de 1835."

This beautiful and moving picture was acquired in 1908 by one of Bellini’s most eloquent admirers, the great British critic Roger Fry (1866–1934), who was employed by the Museum at the time (see Fry 1908)
B[attista]. Cavalcaselle. 2nd ed. [1st ed. 1871].

Amazons in Greek Art. p. 114, Oxford: Clarendon Press.

Gesta 10, no. 2 (1971). p. 44. Beeson, Nora B., ed.

Hirschland, 1980 Object Number: 1981.57.2a, b Inscription: [ A. S.

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
sale, Hôtel Drouot, Paris, April 18, 1868, no. 11, for Fr 55,000 to Narischkine); B.

the sitter, the artist’s widow, Suzanne Manet, Paris (1883–94; sold on March 26, 1894, as „Moi chapeau noir / manteau gris“ [Me, black hat / gray coat], for Fr 60, to Vollard); [Ambroise Vollard, Paris, 1894–95; sold on March 5, 1895, as „esquisse de Manet / Mme Manet au chapeau / noir et manteau gris,“ for Fr 250 to Ménard-Dorian]; Mme Louise Aline Ménard-Dorian, Paris (1895–d
Harry B. Wehle. "A Loan of Paintings."

From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905) ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Smithsonian Institution Research Reports 4 (Spring 1973). p. 4.