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Joshua and David (from the Heroes Tapestries) – South Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/468230

Marking: Arms (on thirteen banners atop turrets, on bosses of vaulting above Joshua and David): azure, semé of fleurs-de-lis gold, within a border engrailed gules [Arms of Jean duc de Berry];(on banner next to end turret at right of tapestry): bendy of six, azure and gold [Arms of Burgundy];(on shield at right of figure): argent, a dragon vert [Arms of Joshua];(on shield at right of figure): azure, a harp gold [Arms of David]
Rorimer, James J., and Margaret B. Freeman.

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Antoine Watteau – Mezzetin – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437926

Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
, ill. opp. p. 226 [reprinted, Paris, 1929, p. 67, no. 414, ill. opp. p. 66].

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Vision of Saint Germain of Paris – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471987

From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris (closed February 1792; panels possibly removed by November 25, 1796; chapel destroyed 1802); [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
New York: The Metropolitan Museum of Art, 1975. p. 18.

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