Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Forsyth, William H., and Margaret B. Freeman.
Classification: Vases Credit Line: Fletcher Fund, 1924 Object Number: 24.97.21a, b
From a hypogeum (so-called “tomb B�) on the property of Savino Scocchera in Mandorleto Grotticelle, east of Canosa, Italy 1895, found in a tomb near Canosa, Apulia, Italy; [by 1904 and until 1906, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1906, purchased from C
burial as the loutrophoroi 06.1021.245 and 06.1021.249; the pyxis 06.1021.253a, b;
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
B[ryson]. B[urroughs]. "Four Saints by Correggio."
(p. 173). Guggenheim Museum Bilbao.
New York: The Metropolitan Museum of Art, 1929. p. 40.
invading Cimbrian Gauls at Vercellae, in Lombardy, an event that took place in 101 B.C
B. Tiepolo: la sua vita e le sue opere.
Thomas B. Hess. "Dealer in Prophecies: The Modern Museum Stieglitz Memorial."
