image, center): a) Letters from HomeInscribed (in pencil, along bottom of image):b)
image, center): a) Letters from Home Inscribed (in pencil, along bottom of image): b)
De Boccard, p. 165, pl. CXXVI, fig. 1102. Harper, Prudence O. 1969.
London: Harvey Miller Publishers, 1972. no. 125, p. 147, fig. 228.
1902, excavated under the direction of R. Koldewey on behalf of the German Oriental Society; 1926, ceded to the Staatliche Museen zu Berlin, Vorderasiatisches Museum, in the division of finds; acquired by the Museum in 1931, purchased from the Staatliche Museen zu Berlin, Vorderasiatisches Museum
New York: The Metropolitan Museum of Art, p. 3, no. 2.
(b/w). Breck, Joseph, and Frances Morris. "The Metropolitan Museum of Art."
Sigismond Bardac, Paris (from at least 1903); [possibly Dikran G. Kelekian (American, born Turkey), Cairo, Paris, and New York (sold ca. 1909)]; George and Florence Blumenthal, Paris and NY (ca. 1909? or least 1927-1941)
Les Arts 16 (April 1903). p. 27, ill. p. 9.
From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952) ]
Oud Holland 52 (1935). p. 29. Huth, Hans.
Pater, born in Valenciennes, was apprenticed to a local painter in 1706. A contemporary would later report that his father sent him to Paris to study with Jean Antoine Watteau (1684–1721): probably the two painters left Valenciennes together in late 1709 or 1710
Art News 27 (April 27, 1929), p. 4, ill. p. 26, as "Fête-Champétre".
Mihrab (Prayer Niche)This prayer niche, or mihrab, was originally an architectural element in a theological school (madrasa) in the city of Isfahan. An inscription in the courtyard of this former school, now known as Madrasa Imami, is dated to the year A
London: Royal Academy of Arts, 1931. no. 57, p. 52, ill. (b/w).
"Three Exhibitions: Georg Kolbe, Arthur B. Davies and Charles Demuth."
