Footed BowlAlong with gilded examples, the most treasured glass objects in the Islamic world were the enameled ones, which developed during the thirteenth and fourteenth centuries in Syria and Egypt under the Ayyubids and Mamluks
B. Tauris, 2012, fig. 1.7.
Zurich, October 22–24, 1942. p. 22, no. 254 & pl. XIII.
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
B. Lippincott, 1950. p. 33, fig. 22. Comstock, Helen. "Connoisseur in America."
This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
Sir Samuel Rush Meyrick, London and Goodrich (from at least 1835) [17.190.173a, b]
The Art of South Italy: Vases from Magna Graecia no. 44, p. 123, Richmond: Virginia
The Art of South Italy: Vases from Magna Graecia no. 44, p. 123, Richmond: Virginia
Stand for a Qur’an Manuscript (Rahla) A masterpiece of design, this carved book stand, or rahla, is made from a single slab of teak and is framed by inlays composed of various woods in shades of brown and black
London: Peeter Davies, Ltd. by the Shenval Press, 1930. p. 190, ill. fig. 95 (b/w
This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
Edward B. Garrison.
Parnassus 2 (March 1930), p. 6. Harry B. Wehle. "The Exhibition of the H. O.
Museum of Art Bulletin vol. 33, section II (1938). pp. 15–16, ill. frontispiece (b/
The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
P. Dutton & Co., 1970. no. 157, p. 180, ill. (b/w). Swietochowski, Marie.
