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The Artist: The Master of the Magdalen is the name given by Osvald Sirén (1922) to the anonymous artist who was active in the second half of the thirteenth century and painted a panel in the Galleria dell’Accademia, Florence representing Saint Mary Magdalen and eight episodes of her life (fig
Florence, 1943, p. 237, no. 73, ill. p. 236, as in the Straus collection, New York

Colony Medium: Clay Dimensions: a: 4 x 4.3 x 1.7 cm (1 5/8 x 1 3/4 x 5/8 in.) b:

in. (21.3 x 14.3 cm) Classification: Drawings Credit Line: Gift from the Karen B.

Kennedy Tod ; Mary Elizabeth Adams Brown Sally B.

The vast majority of [the figurines with articulated limbs] have suspension holes on top of their heads; the dangling arms and legs were in motion when the figurines were shaken or hung.
Contributors Maya B.

Weber Gift, 1984 Object Number: 1984.397a, b [ Robert H.

him in Yorkshire Exhibition of Arts & Manufactures at Leeds, May 1875 (catalogue p
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Until 1899, collection of Henry Hoffmann (1823-1897), Paris; May 1899, purchased by Henri de Morgan at the Hoffmann sale at Hôtel Drouot, Paris (lot 78); 1899-1901, collection of Henri de Morgan (1854-1909), Paris; acquired in 1901, purchased at the de Morgan sale at the American Art Galleries, New York (lot 67)
Painter has chosen a later moment in the Troilos story than the Painter of London B

Sally B.

Count Girolamo Possenti de Fabriano (Italian), Florence; sale of Count Girolamo Possenti de Fabriano (Italian), Florence (April 1-10, 1880, no. 41); Rodolphe Hirsch Kann, Paris; Bligny, Paris; Georges Hoentschel (French); J
Paris, 1907. no. 18, p. 11. Pératé, André.