Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
, ill. opp. p. 226 [reprinted, Paris, 1929, p. 67, no. 414, ill. opp. p. 66].
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
–B. de La Faille. "Vincent van Gogh."
Brooklyn, p. 84. Fischer, Henry G. 1977.
Paris, [1835], p. 11. P. Delaperrière. "Beaux-Arts: Salon de 1835."
Muscarella, Oscar White. 1974. Ancient Art: The Norbert Schimmel Collection no. 60, Mainz am Rhein: Verlag Philipp von Zabern.von Bothmer, Dietrich, Carlos A. Picón, Joan R. Mertens, and Elizabeth J
Bulletin of The Metropolitan Museum of Art, 51(2): p. 61.
Bibliography of The Met’s Scientific Research department
Krekeler, P. Roelofs, I. Verslype, B. van Kooij, and A. van Loon.
Désiré van den Schrieck, Louvain (until d. 1857; his estate sale, Étienne Le Roy, Louvain, April 8–10, 1861, no. 123, as „Réunion de famille“); comte Cornet de Ways Ruart, Brussels (until d. 1870); William T
Vol. 33, Leipzig, 1939, p. 167. Harry B. Wehle. "Seventy-Five Years Ago."
The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
(March 1953), pp. 9–16; and Denis the Carthusian, “De dignitate et laudibus B.
