Angel – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471262
Ingelheim am Rhein: Stadt Ingelheim, 1986. no. 29, p. 72, fig. 29.
Ingelheim am Rhein: Stadt Ingelheim, 1986. no. 29, p. 72, fig. 29.
Marking: Arms (on thirteen banners atop turrets, on bosses of vaulting above Joshua and David): azure, semé of fleurs-de-lis gold, within a border engrailed gules [Arms of Jean duc de Berry];(on banner next to end turret at right of tapestry): bendy of six, azure and gold [Arms of Burgundy];(on shield at right of figure): argent, a dragon vert [Arms of Joshua];(on shield at right of figure): azure, a harp gold [Arms of David]
Rorimer, James J., and Margaret B. Freeman.
The Met’s Timeline of Art History pairs essays and works of art with chronologies and tells the story of art and global culture through the collection.
Hunter, Timothy B.
The Metropolitan Museum of Art Bulletin (1968), vol. 26, p. 224, ill. Ernst J.
: Russian Painter (16th–18th century) Medium: (a) tempera and gold on wood; (b)
Donnan, Christopher B. and Donna McClelland. 1999.
Gesta 10, no. 2 (1971). p. 44. Beeson, Nora B., ed.
London: B. T. Batsford, Ltd., 1931. pl. XXVIII.
Inscription: Inscribed in graphite with numerous color notations, including, in left margin: „violet / fond jaune / violet / filaments bleus / fond blanc“; top center: „baguettes vertes et rouges“; right margin: „bleu et jaune le milieu des fleurs / bleu / violet / vert“; far right (oriented perpendicularly): „l’aigle qui [illegible]“Marking: Stamped in red ink, lower left: Delacroixp estate mark (Lugt 838a)
"Devotion to Drawing: The Karen B.
P. Dutton, 1970. pp. 247–49. Rorimer, James J.