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Avery, Catherine B. 1972[1962].

The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
Burton B. Fredericksen and Federico Zeri.

B.

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Council on the Arts Stavros Niarchos Foundation  Cynthia Hazen Polsky and Leon B.

XVII, 4a, b. Harper, Prudence O. "The Second Millenium B.C."

"Devotion to Drawing: The Karen B.

B.

Du 32, no. 2 (1972). p. 101. Rorimer, James J.

From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris; [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
New York: The Metropolitan Museum of Art, 1975. p. 18.

Palazzo Barberini, Rome, likely 1679-at least 1881 and probably 1890; E. Volpi, Florence, as early as 1890-1905; exported from Italy, July 1905 (dated customs stamp on reverse of panel); Oscar Huldschinsky, Berlin, from 1906-May 1928; Huldschinsky sale, Cassirer and Helbing, Berlin, May 10–11, 1928, no
B[attista]. Cavalcaselle.